4 Oz Beef Tenderloin 4 Oz Beef Tenderloin Price
From offscreen friendships and jarring pay inequality to the special furnishings and makeup tricks that brought some of the world's favorite film characters to life, The Wizard of Oz (1939) had and so much going on behind the emerald curtain and the Technicolor gloss of an amazing fantasy world.
In honor of the 80th anniversary of the movie, follow the yellow brick slideshow to peek behind that curtain and learn more about the secrets and fun facts that brand the beloved motion-picture show a timeless classic.
Margaret Hamilton Was a Fan Earlier the Picture show
As a self-proclaimed lifelong fan of L. Frank Baum's Oz series, Margaret Hamilton was thrilled to be considered for a role in the 1939 movie adaptation. Hamilton called her agent to inquire which character the producers wanted her to play, and her agent famously said, "The witch — who else?"
Hamilton, a unmarried female parent, fought MGM for an agreed upon amount of guaranteed work time. Three days before filming began, the studio agreed to a five-calendar week deal. In the terminate, Hamilton was on prepare for three months, merely many of her scenes were cut for beingness too scary for audiences.
Dorothy's Original Await Was More Movie Star Than Farm Girl
Sure, Dorothy Gale doesn't demand prosthetics or aluminum makeup, but that doesn't mean Judy Garland wasn't put through the costume department wringer. Although she was young at the fourth dimension, the 16-twelvemonth-old Garland had to vesture a corset-like device so she looked more than similar a preadolescent child.
Director Richard Thorpe suggested Garland wearable a blonde wig and loads of "baby-doll" makeup (as any preadolescent girl would…). Luckily, that vision of the character changed. After MGM fired Thorpe, the intermediate managing director George Cukor nixed the heavy makeup and wig. Instead, he told Garland to be herself. Smart motility.
The "Skywriting" Scene Employed Some Great Movie Magic
The Wizard of Oz employs a lot of nifty movie tricks, and some of the nearly unique were used in the skywriting scene. In it, the Wicked Witch (Margaret Hamilton) flies in a higher place the Emerald Urban center, leaving the phrase "Surrender Dorothy" in her wake in blackness smoke.
Using a hypodermic needle, the special effects team spread blackness ink across the bottom of a glass tank that was filled with a thick, tinted liquid (some speculate milk). They wrote the phrase in reverse and filmed the scene from below. Initially, the skywriting ended with the ominous "Or Die — Due west Due west W."
The "Snowfall" in the Poppy Field Was Actually Dangerous
One of the Wicked Witch'due south terminal-ditch efforts to impede Dorothy's quest to see the Wonderful Wizard of Oz involves a poppy field and some magical slumber-inducing snow. While many like to joke that the poppies and their drowsiness are the consequence of opium (a component of poppies), the scene has a much more than blatant toxic connection than that.
All that magical snowfall? It'due south really 100% industrial-grade chrysotile asbestos. Even though the wellness risks associated with the fabric were known at the fourth dimension, information technology was still Hollywood'due south preferred selection for imitation snow. Our advice to Dorothy? Don't take hold of whatsoever snowflakes on your natural language.
Scarecrow's Makeup Stuck Around for Awhile
In the end, Ray Bolger (Scarecrow) was probably grateful in more ways than one for Buddy Ebsen (the original Tin Man'south) willingness to trade parts with him. The Tin Man's aluminum makeup caused a huge amount of problems for Ebsen, who was replaced by Jack Haley.
Although Bolger'southward makeup experience was amend than Ebsen'southward, he notwithstanding had some issues. The Scarecrow'due south makeup consisted of a prophylactic prosthetic, complete with a woven pattern that mimicked the expect of burlap. After the flick wrapped, the prosthetic left patterns on Bolger's face that took more than than a yr to fade.
Margaret Hamilton Was Burned On Ready
In a burst of flames and scarlet smoke, the Wicked Witch (Margaret Hamilton) vanishes from Munchkinland. Although the scene is terrifying for viewers, it may accept instilled more fright for Hamilton. On the first accept, the smoke rose from a subconscious trapdoor too early.
For the second take, Hamilton stood on the trapdoor every bit planned, only her cape snagged on the platform when the fire flared up. Her copper-containing makeup heated up instantly, causing 2nd- and third-caste burns on her easily and face. To make matters worse, the coiffure tried to remedy her burns with (an even more painful) acetone solvent.
The Flying Monkeys Became Falling Monkeys
The Wicked Witch's legion of flight monkeys — or Winged Monkeys every bit they're chosen in the source cloth — have certainly been a source of terror for generations. Almost equally scary as the Witch herself, these henchmen soar onto the scene to kidnap Dorothy and Toto — thanks to the magic of piano wires.
However, the aerial stunt went awry when several of the piano wires snapped, sending actors plummeting a few feet to the soundstage flooring. To create such a vast troupe of monkeys (and cut downwards on human marionettes), filmmakers made miniature rubber monkeys to assist populate the sky.
"Over the Rainbow" Was Almost on the Cut Room Floor
To no i's surprise, the American Moving picture Institute ranked "Over the Rainbow" #ane on a list of 100 Greatest Songs in American Films. But what may surprise y'all? The (arguably) virtually iconic song of Judy Garland's career was nearly cutting from the movie.
Studio execs at MGM idea the song made the Kansas scenes too long. Moreover, filmmakers were concerned that children wouldn't understand the song'southward pregnant. Luckily, this unfounded concern melted like lemon drops. Unfortunately, Garland'due south bawling reprise of the song was left on the cut room floor.
The Can Man Costume Didn't Allow Jack Haley to Rest Easy
Although Bert Lahr had to schlep effectually in a xc-pound king of beasts costume, Jack Haley didn't accept it piece of cake either. From the lingering concerns near the aluminum paste-based makeup on his face and hands to the minimal flexibility of the "tin" torso and arms, Haley faced some challenges.
Reportedly, his costume was and then stiff that he had to lean against a board to rest properly. Many years afterward, actor Anthony Daniels, known for playing the protocol droid C-3PO in the Star Wars films, had the aforementioned event with his rigid costume. It seems even fantasy and sci-fi can't help folks escape all their bug.
The Original Tin Homo Was Rushed to the Hospital
Initially, Buddy Ebsen was bandage equally the Scarecrow, but traded parts with Ray Bolger. Notwithstanding, Ebsen'south new character, the Tin Man, caused him a globe of bug. Namely, the character'due south silver makeup contained a harmful aluminum dust that coated Ebsen's lungs.
To make matters worse, Ebsen had an allergic reaction, and, unable to breathe, he was rushed to the infirmary. MGM recast the role with Jack Haley (and inverse upwards the makeup), but didn't explain why Ebsen "dropped out." Although Ebsen didn't appear in the concluding film, his vocals can exist heard in "We're Off to See the Wizard."
A Stocking & Some Miniatures Gave United states the Tornado
The tornado that strikes the Gale homestead is total of practical special furnishings that actually hold up. The funnel itself was actually a 35-foot long stocking made of muslin. The special effects squad spun it effectually miniatures that resembled the farms and fields of Kansas. Confronting the painted backdrop, the tornado looks menacing.
The Gale house, which falls from the sky and into Oz, is but a miniature house that was dropped onto a heaven painting. Filmmakers then reversed the footage to make it await similar the firm was falling out of the clouds.
Hollywood Didn't Pay Up Then Either
Pay inequality has always been an issue in Hollywood. For example, Adriana Caselotti, voice of the titular graphic symbol in Walt Disney'due south Snowfall White and the Vii Dwarfs (1937), made $970 for her performance. The movie went on to make roughly $8 million.
Co-ordinate to the Los Angeles Times, Judy Garland's pay was ameliorate than Caselotti'south — playing Dorothy earned her $500 a week — only it even so didn't reverberate the film's success. Even more discouraging, the folks who portrayed the citizens of Munchkinland were paid a mere $50 per calendar week. (Meanwhile, Terry the dog earned $125 per week every bit Toto. A real yikes.)
Bert Lahr'southward Panthera leo Costume Was Taxing
Originally, MGM idea it might cast its mascot — the actual king of beasts used in the studio's title card — as the cowardly character. Fortunately, for the safety of the actors and the fauna, the filmmakers decided to cast actor Bert Lahr as the anthropomorphic character instead.
To make a convincing creature, the costume department fashioned Lahr a 90-pound outfit fabricated from existent lion skin. However, the arc lights used on ready made things a steamy 100 degrees during filming, which meant Lahr did a lot of sweating unrelated to his graphic symbol's nerves. Each dark, two stagehands stale the costume for the next day.
The Initial Box Role Returns Were Uneven
The film started shooting in Oct of 1938 just didn't wrap until March of 1939, racking up an unheard of $2,777,000 in costs. That's nearly $50 1000000 adjusted for inflation. Upon its initial release, the flick only earned $3 million at the box office — well-nigh $51.8 one thousand thousand by today's standards.
Although that seems impressive for a Low-era film, recollect that Disney fabricated $8 million with Snowfall White and the Seven Dwarfs (1937). The Sorcerer of Oz's minor success in the U.S. barely covered product and film rights' costs — MGM paid $75,000 to the publisher for those — just success overseas fortunately bolstered the film'southward returns.
The Dark Side of Oz in a Fourth dimension Before "Me Too"
Judy Garland was merely 16 years old when she was cast every bit Dorothy. Insecure and lonesome, she became fond to amphetamines and barbiturates, which were often given to young actors to help them sleep after studios shot them up with adrenaline and then they could piece of work long hours.
The spotlight — and her damaging contract with MGM — didn't aid, leading to her lifelong struggles with an eating disorder and alcoholism. According to a writer for Express, "[Garland] was molested by older men, including studio chiefs [and head Louis B. Mayer], who considered her petty more than their 'property.'" Moreover, MGM forced Garland to stick to a wildly unhealthy nutrition of cigarettes, java and craven soup.
The Vocalisation of Snow White Had a Cameo
A few years earlier The Wizard of Oz debuted, Walt Disney's feature-length blithe picture show Snow White and the 7 Dwarfs (1937) became a nail-hit. Not simply did the moving-picture show revolutionize the animation industry, information technology likewise reinvigorated the fantasy genre.
Disney wanted to follow upwards Snow White — and then the nearly successful film of all fourth dimension — with an adaptation of The Wizard of Oz, merely MGM owned the rights. Past happenstance, Adriana Caselotti, who voiced Snowfall White, had an uncredited role in Oz. During the Tin Human's "If I Only Had a Heart," Caselotti speaks her sole line, "Wherefore art 1000 Romeo?"
The Cherry-red Slippers Are Props & Treasured Artifacts
Keeping in line with the book, Dorothy'due south iconic footwear was originally silver, only screenwriter Noel Langley felt the red color would really pop in glorious Technicolor. Designed past MGM'due south main costume designer Gilbert Adrian, the shoes are each covered in virtually 2,300 sequins.
I of the remaining pairs is on view in the Smithsonian Institution's National Museum of American History. Since the display is so heavily trafficked, the museum has replaced the carpet there several times. Another pair were stolen from Minnesota'southward Judy Garland Museum in 2005, only the FBI recovered the slippers for the institution in 2018.
Only One Sequence Was Filmed "On Location"
The Wizard of Oz is your classic hazard story, and Dorothy'south quest leads her from a Kansas subcontract to some other world — complete with corn fields, poppy-filled meadows and forests. Nevertheless, despite all these breathtaking locations, almost all the scenes were shot on a soundstage.
Every bit was customary at the fourth dimension, immense, detailed backdrops were painted by studio artists, making information technology possible for filmmakers to transport audiences to far away places without filming on location. In fact, the only location footage in the film is the opening title sequence — those clouds are 100% the real deal.
A Second Toto Was Brought In
Toto, played primarily past Terry, is i of the well-nigh beloved dogs in picture history. Terry was famously non a huge fan of special effects and can often be seen running out of a shot when something loud or alarming happens — like when the Tin Man spouts out all of that steam.
After one of the Witch'due south guards accidentally stepped on her, Terry was on bedrest for 2 weeks. Filmmakers went through two doubles to find one that resembled the original canine role player more closely.
Fun fact: Judy Garland was and then addicted of Terry that she wanted to adopt the dog.
Margaret Hamilton "Mourns the Wicked" Witch
In improver to being a huge fan of the Oz books, Margaret Hamilton also believed her character was more just your run-of-the-mill evil villain. More than 35 years after the film debuted, Hamilton, donning her Witch's costume to show kids it was brand-believe, appeared on Mister Rogers' Neighborhood, where Fred Rogers interviewed her about the character.
According to Hamilton, the so-called Wicked Witch relished everything she did, but she was too a pitiful, lonely figure. In brusk, things never went well for the frustrated Witch. Oddly enough, the Broadway musical Wicked as well takes this arroyo to the Witch'south character.
The "Horse of a Different Color" Was Made Possible Thanks to a Food Product
In 1939, audiences were just as amazed as Dorothy, Scarecrow, Tin Human and the Cowardly Lion when the horse in Emerald City took on a rainbow of colors. This "horse of a unlike color" was made possible thanks to a surprising nutrient item…
Jell-O crystals were used to colour the horses, which meant filmmakers had to move speedily — the animals were eager to lick up the sugariness care for. Just the colorful steed isn't the merely interesting component in this fan-favorite scene. The horse-drawn wagon was in one case owned past President Abraham Lincoln and at present resides at the Judy Garland Museum.
The Makeup Department Hired on Extra Hands
From the citizens of Munchkinland and Emerald Metropolis to the Witch'southward flying monkeys, and then many actors had to undergo a makeup transformation in guild to give life to this fantasy moving picture. To go along upwards with the daily demands, MGM called upon workers from the studio mailroom and courier service to manage makeup stations.
Since nearly of the Ozian ensemble required prosthetics, makeup artists — and "makeshift" artists — formed a kind of costuming associates line. Nearly actors had to go far before 5:00 in the morn — six days a week! — to begin the intensive procedure.
Memorable (& Often Misquoted) Lines Fill up the Film
The film is chock-full of iconic, memorable songs, and it has the great fortune of existence responsible for some of the most quoted lines in movie history besides. In 2007, Premiere compiled a list of "The 100 Greatest Movie Lines" and placed a whopping three of the film'due south lines on the list.
"Pay no attention to that human being backside the curtain" was voted #24, while "In that location'south no place like home" nabbed the 11th spot. Finally, the oftentimes misquoted "Toto, I take a feeling we're not in Kansas anymore" landed in the 62nd spot.
The Witch's Fire Employed Some Technical Wizardry (& Juice)
Clearly, the technical wizardry — or witchcraft — in the moving picture is incredible. Like the "equus caballus of a different color" sequence, some other iconic, special effects-heavy scene harnessed the power of everyday household items to pull off fun tricks.
Soon after Dorothy arrives in Munchkinland, the Wicked Witch tries to snatch the ruby slippers from the young daughter's feet. However, burn down strikes the Witch's hands, repelling her. This "fire" is actually apple juice spouting from the slippers in a sped-up clip to make it wait more flame-like.
Technicolor Required Some Ingenuity in the Props Department
Experimenting with Technicolor was part fun and function problem-solving for filmmakers. In order to properly capture scenes with the Technicolor camera, the soundstage needed to exist lit with arc lights, which often heated the set up to a toasty 100 degrees.
Subsequently the lights were set up, the experts experimented with what would look best on film, peculiarly in colorized grade. For example, the white part of Dorothy's dress is actually pink — simply because it filmed better. And the oil the Tin Man is and so excited nearly? It'southward really chocolate syrup.
The Wicked Witch of the Eastward Makes More than Than Ane Advent
Office of the Wicked Witch of the West's beef with Dorothy is that the immature girl dropped a business firm on her sister, the Wicked Witch of the E, who was the short-lived owner of the carmine slippers. Although Margaret Hamilton already plays both the Wicked Witch of the West and her Kansas counterpart Almira Gulch, she besides plays the Wicked Witch of the East — if only briefly.
During the tornado sequence, an befuddled Dorothy looks out her bedroom window and watches Gulch transform into a witch, her shoes shimmering. For fans, this glint indicates the witch outside the window is wearing the scarlet slippers. The restored version of the film makes that shimmer even more noticeable.
The Film'southward Running Time Was Cut Down Several Times
The first cut of the pic clocked in at a running time of 120 minutes. Although that seems like zero past today'due south Marvel flick standards, producer Mervyn LeRoy felt it was long and unwieldy and wanted to chop off 20 minutes.
After cutting the famed "Jitterbug" number (top right) and an extended Scarecrow trip the light fantastic sequence, the film was 112 minutes long. LeRoy held a second preview screening, and, subsequently, nixed Dorothy's "Over the Rainbow" reprise, an Emerald City reprise of "Ding! Dong! The Witch Is Dead," a scene where the Tin Man becomes a human beehive (Yikes!) and a few Kansas sequences.
So Much for a "Wicked" Witch
Filmmakers deemed Margaret Hamilton'due south Wicked Witch of the W performance besides frightening for audiences and cut or trimmed many of her scenes. Only not everyone thought her performance was terrifying — namely Judy Garland, who played the Wicked Witch'southward nemesis, Dorothy Gale.
Off-screen, the moving-picture show's starring foes were actually friends. Ane story that emerged from the set described Garland excitedly showing off a dress to Hamilton, declaring she was going to wear it for her graduation. Unfortunately, MGM's Louis B. Mayer sent Garland on a press tour the 24-hour interval of her graduation. Upset, Hamilton phoned Mayer and chewed him out.
Giving Credit to Technicolor
In the opening credits, the text reads "Photographed in Technicolor," as opposed to the more apt "Color Sequences by Technicolor." The phrasing of the credits makes it seem equally though the unabridged motion-picture show was shot in color. Was this done deliberately, or was it a small-scale syntactical faux pas?
It'due south widely believed this was a fleck of a stunt done to raise the surprise of the picture turning into full 3-strip Technicolor when Dorothy arrives in Oz. Posters fabricated at the time of the film's debut made no mention of sepia tint (or "black-and-white"), adding credence to this theory.
One of History'south Near-Watched Films
Although The Wizard of Oz proved popular in theaters, another film released the aforementioned year, too directed by Victor Fleming, actually topped the box office. (You may have heard of that little film — it's chosen Gone with the Wind.) Yet, MGM's musical fantasy may take more than staying power than other films of the era, cheers in role to re-releases.
The motion picture was outset broadcast on tv on November three, 1956, and garnered an impressive 44 meg viewers. It's believed that The Wizard of Oz is i of the ten most-watched feature-length movies in moving picture history, largely due to the number of annual television screenings, theater viewings and various format re-releases.
Source: https://www.ask.com/tvmovies/wizard-of-oz-facts?utm_content=params%3Ao%3D740004%26ad%3DdirN%26qo%3DserpIndex
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